Every month we are presenting a new map quilt to inspire you to take up our challenge and encourage you to sign up for a workshop with Valerie Goodwin to learn her techniques and try your hand at a map quilt under her guidance. Are you still looking for map quilt inspiration? Here is the last sneak peek at some of the map quilts you will be seeing at Quilts at the Creek this summer.
This quilt was made by Valerie Prideaux, who started Quilts at the Creek 8 years ago- me! One major liability is that I have had cataract surgery over the past two months, and for now my vision is pretty bad. It can take me 10 minutes to thread a needle! This quilt was put together with that constraint. The colour is there because I LOVE colour, and there are often just slivers, which represent the time I feel I can spend on my own quilting while organizing this show. I collected labels from each of the years of the show- and had a few printed in a larger size for variety. This was a fun quilt to make, done improvisationally, and it maps a large part of my life over the last eight years.. so enjoy the exuberance and thanks to everyone who has been a part of this tremendous journey.
Here is one by our very own Shirley Dawson. Here is what she says about her inspiration to the theme Map Your World:
When it came time to put pen to paper I had so many ideas. I spent so much time pursuing each idea that I was quickly running out of time. I finally choose this design because it gave me yet another chance to use words on a quilt which is something I am known for amongst friends. I chose to embroider words on my life, head and love lines according to palm reading guides. The words I embroidered resonate with my life choices. It’s a pretty simple design and I machine quilted it to reflect the lines in a palm print. The hand is appliqués from Essex Linen and the map fabric is from the Tim Holts line. Love it! Thanks, Shirley!
Terry Aske designed this map quilt, based on a map of her city, New Westminster BC. The city’s location on the banks of the Fraser River and the diagonal street grid make for a visually interesting map. Her comments: “I love the contrast of the natural curving lines of the river and the geometric shapes of man-made streets and transit lines. I’m attracted to bright colors on dark backgrounds, and have long been a fan of the stylized look of transit maps.
I thought about using a black solid background, but decided it would be more interesting to use a scrappy background of various black and dark gray prints (which I happen to have a lot of in my stash). I used gray bias tape to indicate the major roads.
I drew a full-size map on freezer paper showing the major roads, then cut up the freezer paper and used it as templates for the background fabrics. I pinned it all to my design wall, then sewed the background pieces together. Then I positioned and sewed the gray bias tape. The fun part was adding the colorful bias tape to indicate bus routes and transit lines.
I quilted with vertical straight lines about 1 inch apart. I was concerned about keeping the lines straight, and the challenge of quilting over the bumps created where several bias tapes overlapped. The backing fabric is a bright purple stripe, and I decide to try quilting from the back following the lines on the fabric. It worked like a charm!”
Johanna Masko is an American-Canadian quilt designer and fibre artist. She is known for modern quilting designs inspired by vintage objects and an emphasis on technique. You can find her teaching regularly at The Workroom in Toronto. She has designed a map quilt for us, titled Me & Mr. Waters. Here is her artist statement:
This sampler quilt merges the two artistic realms that I obsess about the most in my creative world- quilt making and Western Traditional tattoos. Both of these folk art forms have rich traditions and histories that I find utterly fascinating. I have been making quilts for 30 years, but I’m relatively new to the world of tattoos, having been collecting for just four years. It did not take long for me to find my stylistic focus when it came to tattoos I wanted to wear for the rest of my life.
There are reasons why the classics (whether in quilts or tattoos or any other longstanding art form) always hold our gaze- they have a timeless quality and provide a strong connection to our past. They are unaffected by trend and fad.
“Mr. Waters” is Percy Waters, a well-known and very prolific tattooer, tattoo designer, and tattoo supplier who set up his practice and supply business in Detroit and worked there throughout the 1920s and 30s. I am a Michigan native and grew up in a blue collar town about 20 minutes south of the Motor City. My own grandfather was extensively tattooed and dabbled in amateur tattooing during The Depression in the Detroit area. It is possible that the two men crossed paths at one point or another during that time, but I’ll never know for certain.
Like traditional quilts, Western Traditional tattoos have a number of designs and motifs that recur and are revisited over and over again through the continuing work of tattoo practitioners and their clients. “Me & Mr. Waters” reinterprets some of these tattoo classics and transforms them into quilt blocks. If you look closely, you will find patchwork interpretations of Nautical Stars, The Rose of No Man’s Land, two blocks representing Luck, the patriotic Canadian Red Ensign, the Spiderweb, and Homeward Bound. Swallows are enduring designs, as well as simple banners bearing the name of a loved one. The appliqué blocks are direct copies of Mr. Waters drawings, taken from reference materials in the collection of the Henry Ford Museum in Dearborn, Michigan. I wear the beautiful Waters butterfly on my wrist.
The very limited colour palette used here is in keeping with the colours in common use with very early Traditional tattoos. These colours had the best staying power in the skin (and still do). My favourite shop uses these colours almost exclusively, maintaining their historic connection to the tattooers whose work they continue to celebrate and carry forward.
The alternate blocks composed of Hourglass units are constructed and arranged in a gradient of sorts. Starting very dark and mostly solid blue and black at the top, they transition to lighter, printed fabric moving toward the bottom of the quilt. I cannot resist a gradient. Viewed on their own, they have a 3D effect, which was a really fun illusion to create.
AnaPaula Brasil is an up-and-coming quilting whirlwind based in Toronto. She had a special Glow in the Dark display at Houston this fall, and will be teaching at Quilt Canada in June. She has contributed a map quilt inspired by her home country of Brazil. She states: “This quilt represents a harbour from my roots. Restinga Seca is my childhood city close to grandparents. My True North for love, respect, and learning.”
Jacquie Gering has taken on our “Map Your World” challenge! Jacquie is an internationally known quilt designer, teacher, and author, as well as former chairman of the board of directors of The Modern Quilt Guild. She led workshops at Quilts at the Creek several years ago, and we are thrilled that she is participating in this challenge.
The quilt, titled “Quiet Geometry”, maps the influences that helped shape her quilting voice. The quilt is simple but graphic. It consists of simple shapes, minimalist design, walking foot quilting, and solid fabrics, as well as a print by Yoshiko Jinzenji. Yoshiko is a quilter who has had a big impact on Jacquie’s design style and process.
The quilt is a map of where she has been as a quilter, and also a pathway to her future work. For a closer look at details from her quilt, click on the first image below:
This quilt will be on display at Quilts at the Creek this summer, so be sure to attend, and check it out!